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Even 'Cinque's Theme,' shaped by flute and harp, feels too polite and dreamy for its nightmare context. For instance, in 'The Capture of Cinque,' 'Crossing the Atlantic' and 'Middle Passage,' the music is far too serene to suggest the true anguish and insult of slavery. John Williams's soundtrack for the film 'Amistad' (DreamWorks) is a surprisingly subtle effort from a composer best known for such bombastic works as 'Jaws' and 'Star Wars.' Too subtle, at times.

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(To hear a free Sound Bite from this album, call Post-Haste at 20 and press 8181.) Amistad' While Jack never benefits from a distinguishable theme of his own, that relationship's tragic dimensions are movingly evoked in 'Unable to Stay, Unwilling to Leave,' 'A Life So Changed' and Dion's understated ballad, a fragile remembrance of love wrenched away yet never ended.

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Like director James Cameron, Horner knows how to scale down the Titanic's larger tragedy to very personal loss via the romance of Rose and Jack (Leonardo DiCaprio). Murdoch' and, soon after, impending doom is palpable on 'Hard to Starboard.' The large-scale consequences of a big boat meeting an iceberg are dramatically suggested in 'The Sinking' and the expansive 'Death of Titanic,' while the ineffably sad 'An Ocean of Memories' and 'Hymn to the Sea' offer impressionistic eulogies. The Titanic's inexorable journey toward doom is presaged by the swelling strings and brass majesty of 'Leaving Port.' Grand adventure is anticipated in 'Take Her to Sea, Mr. After some mundane boarding music comes 'Rose,' a tin-whistled Celtic air (later given lyrical body in Dion's track) that captures the immense beauty and late-blooming spirit of Kate Winslet's character. It opens with the ghostly 'Never an Absolution,' followed by the ethereal 'Distant Memories' both suggest the grace and grandeur of the sunken vessel and the immensity of its passengers' settled fates.

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Like Horner's award-winning score for 'Braveheart,' 'Titanic: Music From the Motion Picture' (Sony Classical/Sony Music Soundtrax) is full of Celtic melancholy. 2 on the charts.Д¬learly, it's James Horner's evocative score that's caught the public ear, and deservedly so: It beautifully juxtaposes the film's romantic fable with its sense of inevitable tragedy. Sure, Celine Dion has a huge pop hit with 'My Heart Will Go On (Love Theme From Titanic'),' but it's also available on her new album - currently No. 1, a rarity for a mostly orchestral score (the last one to achieve such success was the score for the 1981 film 'Chariots of Fire'). Like the movie, the soundtrack for 'Titanic' is currently No.

Titanic sound track